Koki Sakakihara

He wanna be a good tennis player.
An artist working across music, theater, film, and performance.
He holds an MFA from the Global Art Practice (GAP) program at Tokyo University of the Arts and a BMus in Computer Music from Kunitachi College of Music.
He began his music career in 2018. Drawing on his own experiences and memories through an autofictional approach, he creates works that move across film, physical expression, and performing arts, with pop music at their core.
In 2020, he was selected as a finalist for Nippon Broadcasting System’s “Yurakucho Uta Tsukuri Keikaku” and received the Mitsubishi Estate “MicroSTARs.Dev Award.”
In 2024, he was selected as an 8th-term KUMA Foundation scholar. In 2025, his project was awarded a Startup Grant from Arts Council Tokyo.
In January 2026, he presented the 120-minute solo tennis musical performance “He wanna be a good tennis player.” In the same year, he was selected as a 10th-term KUMA Foundation scholar.
His recent practice begins with his own ongoing attempt to “become a professional tennis player,” combining singing, moving image, physical movement, and spoken word in performance.
By affirming the very act of “trying to become someone,” he continues to explore and expand the possibilities of pop music.

  • He wanna be a good tennis player.

    Koki Sakakihara

    2026.11.04 RELEASE
    CURATIORS COMMENT:
    • 10代から現在までに書き溜めてきた楽曲を一つに束ねた本作は、時期も手法もばらばらに制作された楽曲たちが、何者かになろうとする途中の時間として一本の線でつながっていくーー過去を完成したものとして閉じるのではなく、それぞれの時点で作ったものを連れたまま、まだ何者かになろうとする。その「途中にある自分」をそのまま収めた、Koki Sakakiharaの現在地を刻むアルバムとなっている。()
    KEYWORD:
  • ころな

    Koki Sakakihara

    2026.10.14 RELEASE
    CURATIORS COMMENT:
    • 1stアルバム『He wanna be a good tennis player.』より先行シングル「ころな」をリリース。2020年、まさにタイトル通りコロナ禍に制作された本作は、政治や歴史の言葉とポケモンやおにぎりのような脈絡のない日常語を、駄洒落や音の連鎖で同一平面に衝突させる。何が重大で何が冗談か揺らいだ当時の空気を、コミカルで不穏な音楽に封じ込めた一曲。()
    KEYWORD:
  • おい、負けんじゃねえぞ

    Koki Sakakihara

    2026.09.23 RELEASE
    CURATIORS COMMENT:
    • 音楽・舞台・映像・パフォーマンスを横断して活動するKoki Sakakiharaが新曲「おい、負けんじゃねえぞ」をリリース。BPM早めの疾走感ある4つ打ちトラックに、早口で捲し立てる歌唱が畳みかける。影響を受けたボーカロイド曲や喉を鳴らす音など遊び心あるサンプリングを随所に散りばめ、実験的なサウンドメイクも聴きどころ。「おい、負けんじゃねえぞ」というフレーズが繰り返し刻まれ、聴くほどに気持ちが昂ぶってくる一曲。()
    KEYWORD:

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